Editor’s column from SNDS Magazine no. 2, 2015:
Do not try to win awards.
Do not try to follow fashion.
Be true to your subject and you will be far more likely to create something that is timeless.
That’s where the true art lies.
– Paul Arden*
Although you should not create just to win, nearly everybody likes to win awards. If the awards are given to you by colleagues or people you look up to within your profession, the feeling is especially great. Once again, Scandinavian newspapers can enjoy this feeling: In April, the jury behind the SND 37th Best of News Design competition named Dagens Nyheter (S) and Politiken (DK) “World’s Best-Designed™ Newspapers” – together with De Morgen (Belgium), and The Guardian (Britain).
The jury chose between 215 newspapers submitted from all over the world, and it’s worth noting that Dagens Nyheter wins this title for the third year in a row. Politiken is now a four time World’s Best winner, having previously received the title in 2006, 2011, and 2012.
We even had a Scandinavian runner-up this year: Svenska Dagbladet (S), (World’s Best in 2004) was among the 17 finalists.
So it’s fair to say that Scandinavian newspapers maintain world class quality, compared to regions with a much higher number of publications to choose from – and probably much higher budgets to draw from, too. This bodes well for the Scandinavian competition of which the winners will be announced in October.
In the digital competition, SND named only one “World’s Best-Designed™ Digital” winner – Facebook. This controversial decision was announced in April at the SNDDC seminar in Washington and evoked strong reactions from many in the business – even after the SND website published an extended statement (labelled by Roger Black on twitter as “sad excuses”) from the judges. We wanted to keep the discussion going a bit longer and asked leading news designers for their comment to the jury’s decision (see p. 18–20).
In February, I had the honour of serving once again as judge in the print categories of the Best of Scandinavian News Design competition. It’s such a privilege to get the opportunity to see hundreds of submitted entries representing a snapshot of Scandinavian newspaper design right now. A lot of good work, a fair amount of excellent work, and among them the few pieces that really stand out.
One unique voice this year was that of Finnish illustrator Klaus Welp – whose detailed drawings earned him an Honourable Mention and (on this issue’s cover) a nomination for a Silver or Gold Award. We wanted to see more of Klaus Welp’s work – and found out that the style used in the two winning entries is just one of his many distinct voices – see p. 22-29.
Also in this issue
Pål Nedregotten, Chief Innovation Officer at Amedia AS, Oslo looks into some of the myths that surround digital news – and argues that even though more and more people read news updates on social media it is still extremely important to have a dedicated, well-edited front page on your own website – not least to care for your most loyal readers. See p. 10–12.
We also look into a new design trend called “anticipatory design” which will also be a theme on the SNDS15 Conference in October. Kartin Hansen, Head of Digital Development at Jyllands-Posten, Denmark, explains the basics and wonders when the news media will jump on this trend wagon. See p. 14–15.
Anders Tapola, former SNDS President and Design Editor at Smålandsposten, Sweden found himself “last man standing” when his design department suddenly disappeared and was replaced by software tools and a centralised design hub. Read his thoughts about the pros and cons of this new situation on p. 16–17.
Finally, in case you haven’t noticed yet: the snds.org website has been updated with a new look and feel, so take a look. And while you’re there – don’t forget to check for updates to the SNDS15 conference in October.
Have a great summer!
Editor, SNDS Magazine
*In: It’s Not How Good You Are, It’s How Good You Want To Be, p.90. Phaidon 2003. Paul Arden (1940–2008) was a creative director for Saatchi and Saatchi at the height of their advertising might, and an influential author of several books on advertising and motivation.
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